It’s unknowable and spooky and has taken on a life of its own.” “Much of it came from a jam we were working on while writing songs for the ‘Let Love In’ album. “The song has fairly humble beginnings,” co-writer Harvey told the New York Post in 2016. The song is heard on various episodes being performed by Cave with versions by Iggy Pop, Laura Marling, PJ Harvey, Pulp’s Jarvis Cocker and L.A. Perhaps the best-known use of the song is in the goth turn-of-the-century BBC series “ Peaky Blinders,” now available on Netflix, where its spooky refrain, “He’s a man, he’s a ghost, he’s a god, he’s a guru,” is tied to star Cillian Murphy’s swaggering gang leader Tommy Shelby. It’s not right for everything, but when it’s right, it’s perfect and has a lasting impact.” When it’s used, the dialogue stops and the film makes space for the song. It’s not background music it’s the main event. It’s not right for most day-to-day film and TV briefs. “It’s not a song we can pitch very often. “Sync use for ‘Red Right Hand’ is more about quality than quantity,” McGinnis says.
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